CHINA DOLL Passengers: We Are Experiencing Turbulence

It began with the announcement that Al Pacino would appear in CHINA DOLL, an original play by David Mamet on Broadway.  Fans who will go see Pacino on the big stage no matter what, whether it’s Shake-speare’s Merchant of Venice or Mamet’s American Buffalo—snatched up tickets for the fifteen week run that began at the Schoenfeld Theater in October this year.

That was the pro-Pacino buzz.

And as if from some law of drama physics, a counter-buzz met the pro-buzz with comparable force. This buzz was generated by speculation that the legendary-but-aged Pacino (75) couldn’t remember his lines. Rumors fixated on technical prompting devices that gave his memory assistance. Deriders of CHINA DOLL didn’t have to see the play to form an opinion. They’d heard all they need to know. The anti-Pacino buzz.

Finally, after two months of previews, CHINA DOLL opened in early December. Finally we’ve gotten past the glare of the lead actor’s stardom and honed in on Mamet’s play. Finally we won’t have to listen anymore to the vultures and boo-birds who get off on rooting for someone to fail. The critics have considered the play and set things right. Right? Hmmm. Wrong.

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